Creativity, as luck would have it, is not a one way ticket to success. Do
something different,  | | Taken in, bit by bit, the Sebring is an intriguing vehicle. As a whole... most people find it leaves much to be desired. (Photo: Justin Couture, American Auto Press) | and it might take off in a very big way. The iPod
is a good example of this. MP3 players had been around for quite a while when
the iPod first went on sale, but there was something about Apple's
device, perhaps its clean look, its slick, white and mirror finish and
button-less interface that drew in the masses. Or the Blackberry. I
don't know many business people – myself included
- that don't have one (and are constantly using it). There's just
something about being able to check your e-mail, search the web and phone people all in one device.
And
it works the same in the automotive industry. I cite it a lot, but the
Honda Civic is a brilliant example of what a jolt of creativity can do.
From mundane transportation appliance to spaceship from the great
beyond, Honda took the risk and it has paid off. People just can't
enough – sales have never been stronger, with the Civic outselling all
other compact cars by a large margin, including Toyota's redesigned
(and much less interesting) Corolla. And it isn't just Honda that's
cashed in on creativity; Chrysler did it earlier this decade with the
‘60s-meets-art-deco 300, which sold in volumes so large that it
made hotcakes look like stale bread. The comeback of the large, rear
wheel drive sedan is the sole responsibility of this car, and its LX-chassis
kin. The same company's PT Cruiser was another example of getting it right, at absolutely the right time. Few cars enjoyed the phenomenal sales success that this little retro five-door did during its heyday.
 | | The AWD system is simple, and yet very effective. The Sebring shrugged off one of the worst winters we've had. (Photo: Justin Couture, American Auto Press) |
But the nature of creativity is that
it may not necessarily make for good sales figures, or for that matter aesthetically
pleasing designs. It can go awry despite the best of intentions. This,
of course, leads us to the Chrysler Sebring. Now, let it be known from
the outset that I don't mind the styling of the Sebring. I actually
think that in the right color, and with the right wheels, it looks,
well, kind of cool. Then again, I know a lot of people who would beg to differ with me in this respect, as they're not particularly enthralled with the execution of its styling, but that's just not how I feel.
You
see, much like the 300 the Sebring not only had the potential to be
different, but very good at the same time. Someone at Chrysler thought
that it would be a good idea to bring the Airflite concept, a cool
four-door Crossfire of sorts, into production form, and to make it
something that most people could afford (not a high-priced sports sedan).
After all, the 300, with its ‘60s block styling and art deco flair
worked, so why not something else from that same styling league.
But
the problem with concept cars is that they rarely  | | Interior is hit and miss: the design is different and deserves credit. Some of the materials, however, are lacking. (Photo: Justin Couture, American Auto Press) | translate well into
production cars. Between safety regulations, budgets and issues of
production feasibility, the discrepancies between show car and road car
are often quite large. Had the Sebring actually looked like the
Airflite, I'm sure the outcome would have been different, perhaps a
little like what happened with the Civic. The Sebring could have been
that curve ball when the industry expected a fastball. Instead, what we
got was a goofball. I digress...
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